Ashwatthama: The Son of Drona

By Dheer Sanghi

Although not a central character in the Mahabharata, the story of Ashwatthama, Drona’s son, is a compelling one. Having access to powerful weapons and nearly being responsible for the deaths of millions, Ashwatthama was a warrior lacking maturity and forethought, with an inflated ego and an extremely hot head. 

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Early Years

Born to Dronacharya and Kripi after many years of penance for a child, his birth was extraordinary. He came into the world neighing like a horse instead of crying. This ear-piercing noise was heard across the world, resulting in him being named Ashwatthama: ‘the sacred voice which relates to that of a horse.’ Accompanying his birth was a celestial voice proclaiming that Ashwatthama was blessed by Lord Shiva. Certainly blessed, the boy inexplicably had a ‘Mani’ (gem) on his forehead that protected him from evil spirits. 

Training with the Pandavas

Ashwatthama grew up poor until Drona was asked to teach the Pandavas and Kauravas the art of warfare. Ashwatthama learned alongside the princes and gained proficiency in battle. He had skill with the bow and arrow but was outshined by Arjun, whom Drona promised to make the greatest archer in the world. Arjun, as part of this promise, was given the knowledge of using the Brahmastra, a weapon strong enough to destroy the world. 

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Unknown to others at the time, the Brahmastra wasn’t only given to Arjun. Overcome by affection for his son, Drona also imparted the knowledge to Ashwatthama, even after knowing of his impetuosity. Although Drona gave clear warnings to Ashwatthama, his ego only grew after this event, even trying, in vain, to get Krishna’s Sudarshan Chakra. His egotistical behaviour was not helped by the fact that he was crowned King of Southern Panchala.

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The Kurukshetra War

Due to the position of his father, as well as his strong bond and friendship with Duryodhana, Ashwatthama was loyal to Hastinapur and fought on the side of the Kauravas in the Kurukshetra war. On the tenth day of the war, Drona was made the supreme commander after Bhishma’s death. He promised to capture Yuddhisthira, to no avail. Nevertheless, Drona was too powerful to kill when armed so Krishna and the Pandavas devised a scheme to make him vulnerable. It was decided that Bheema would kill an elephant by the name Ashwatthama and then inform Drona that it was his son, Ashwatthama, who had died. The plan was successful and the grief-stricken Drona was soon killed in battle by Dhrishtadyumna, son of King Drupada.

Illustration: Dilip Kadam

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The news of the Pandavas’ trickery and his father’s death angered Ashwatthama to the point where he invoked the celestial weapon Narayanastra even after warnings to only use it in dire circumstances. The clouds turned grey, and a howling sound filled the air. In the sky, one arrow for each Pandava soldier appeared, ready to strike down the whole army. Luckily, Krishna knew how the weapon worked and told all soldiers to drop all their arms as the Narayanastra only killed armed soldiers. The Astra passed by harmlessly. Since the weapon could only be fired once, the Pandavas were saved from defeat.

End of the War

Much later in the war, with Duryodhana on the brink of death and the Pandavas on the brink of victory, Ashwatthama planned to go down fighting trying to inflict as much pain on the Pandavas as possible. Along with the last three survivors on the Kaurava side (Kripa and Kritavarma), Ashwatthama planned to attack during the dead of night. Mercilessly killing many, including Dhristadyumna, Ashwatthama destroyed many notable warriors of the Pandava army. He also killed all of Draupadi’s sons, mistaking them for the Pandavas. 

Illustration: Dilip Kadam
Ashwatthama’s Fate

When the Pandavas saw the havoc wrecked in the morning, they were enraged and inconsolable. After finding out who was responsible, they tracked Ashwatthama and found him at sage Vyasa’s ashram. A battle ensued, ending with Ashwatthama trying to kill a pregnant Uttara, Arjun’s daughter-in-law, in order to end the Pandava lineage. Before any damage could be done, however, Krishna rushed to Ashwatthama and cursed him to an immortal life of endless misery as a leper with no means of escape.

According to some legends, Ashwatthama is still alive, in great pain, and suffering for committing the grave sin of attempting to kill an unborn baby. An egotistical, hotheaded, but skilled warrior, the story of Ashwatthama is a fascinating and tragic one.

Read the complete Mahabharata story in our Mahabharata collection, now available on the ACK Comics App, Kindle, Flipkart, Amazon and other major e-tailers. 

5 Lessons from the Mahabharata

By Krithika Nair and Ayushi Rakesh

 

Mahabharata, one of the longest epics in the world, is a lesson for life. There are many lessons worth imbibing in this great tale. The epic is full of inspiring characters like Bhishma, Drona, Karna, or even Ved Vyasa himself, who wrote the Mahabharata. Bhagavad Gita is an extension of the epic, which solely focuses on Krishna’s advice to Arjuna. So here are some lessons from the Mahabharata that we think are worth inculcating in our everyday life. 

Power of Friendship
Illustration: P.G. Sirur

The bond of friendship between Krishna and Arjuna made a journey of hardship endurable. Krishna had vowed not to fight in the Kurukshetra war, but his advice for Arjuna protected him more than any armour could. The pair represent the power of good companionship, under which even the most crushed spirit can brighten up and achieve the impossible. Arjuna was humiliated after he couldn’t defend the honour of his wife but Krishna never questioned his credibility. Instead, it was his support and encouragement that guided the Pandavas to victory. Such is the strength of true friendship.

Honouring one’s word

What happened at Duryodhana’s court was an unspeakable horror. Bhima, to avenge Draupadi’s dishonour, had promised her the blood of Dushasana for his misconduct. Even if there was a victor, both sides lost a lot in the war. It was their determination to fulfil their given word that kept them going and led them to succeed in their almost impossible-looking resolution.

Throughout the story, there are many instances where the fates of people had changed because of the word they had given. Be it Eklavya losing his thumb, and therefore, his future as an archer, or Drona swearing to fight against his own dear pupils on the other side, each character put their words above their personal interests and honoured the promises they made.

Perseverance
Illustration: Ram Waeerkar | Script: Kamala Chandrakant

Young Arjuna had the talent of archery which he was widely famous for. His brothers were equally good at it but the only difference between them and him was perseverance. Arjuna was dedicated and unswerving in his practice and staunchly focused on improving his skills. No amount of praise or fame as an archer made him lax in his practice. Due to his persevering nature, he could attain mastery of archery at such a young age, surpassing the talents of much older and experienced archers.

Duty

The Mahabharata teaches the valuable lesson of duty. Despite the bad hand that they had been dealt, the Pandavas took it in their stride and waited for their time. When it did arrive, Arjuna had a moment of conflict; the people behind enemy lines might have wronged his people, but they were still his family. It is here that Krishna teaches him to think beyond himself and his relationships and fulfil his duty as a warrior, without letting emotions cloud his judgement, that we all have to do things in life that we might not like or agree with, but it is our duty to perform these actions nonetheless.

Empathy
Illustration: Ram Waeerkar | Script: Kamala Chandrakant

Karna, the firstborn of Queen Kunti, was the son of Surya. He was disowned by his mother as she was unwed when he was born. Karna was adopted by Adhiratha, the chief charioteer of Hastinapura. Even when Karna was made the ruler of Anga, he was a people’s king, often mocked among other nobles due to his presumed lowly birth. This is why despite being on Kauravas’ side, he is still the most rational and empathetic character in the epic. He was a victim of circumstances due to the acts of Kunti, yet he had the heart to console her in her time of need. Even if he had no filial obligation to Kunti due to her abandonment, he promised her that she will always have five sons no matter what, by promising that he will only fight Arjuna and never kill the four others. Karna could empathize with his estranged family even after suffering insults all his life due to them, thus, highlighting his greatness. 

Read the complete Mahabharata story in our three-volume set collection Mahabharata, now available on the ACK Shop and with major retailers and e-tailers. 

Why does Ganesha love Modak?

By Kayva Gokhale

Ganesh Chaturthi celebrations aren’t complete without an offering of twenty-one Modaks to Lord Ganesha. This jaggery stuffed sweet is an integral part of who Ganesh is, even resulting in the nickname ‘Modakpriya’, meaning the one who loves Modaks. Hindu mythology has various stories on the creation of Modaks and their importance to Ganesha, but we’ll focus on two.

Design: ACK Design Team

The first folktale starts with Lord Ganesha’s maternal grandmother, Queen Menavati. In her love for her grandson, Queen Menavati would tirelessly make laddoos to feed Ganesh’s growing appetite. This was unsustainable, and as he grew older and bigger, the Queen realised it was impossible to prepare laddoos as quickly as Ganpati could gobble them down. She thought of an alternative – Modaks. Requiring less time to make, she could satisfy Lord Ganesha, who gleefully ate them. 

Illustration: Arjit Dutta Chowdhury

The second legend explains why twenty-one Modaks are offered during Ganesh Chaturthi. One day, Devi Anusuya called Lord Shiva, Parvati, and Ganesha for a meal, stating that the others would only be fed once baby Ganesha was content and full. However, Ganesha simply kept asking for more food! At the end of his meal, he was given a single sweet – the Modak. Interestingly, something happened after he swallowed it. Ganesha released a loud burp, a sign of satisfaction. Interestingly, as Ganesh burped, so did Lord Shiva; twenty-one times in fact. Parvati, stunned and curious as to what she had witnessed, asked Devi Anusuya for the recipe of the seemingly magical sweet. Upon learning what a Modak is, Parvati requested that all her son’s devotees offer exactly twenty-one Modaks to him, one for each burp Lord Shiva gave out.

Regardless of which story people choose to believe, the preparing, offering, and eating of Modaks during Ganesh Chaturthi is essential and super fun!

Read the stories of Ganesha in our special release Ekadanta. Now available on the ACK Comics App. 

Legends Behind Ganesha’s Tusk

By Kayva Gokhale

Ganesha, one of the most beloved gods in Hindu mythology, is also known as ‘Ekadanta’, the one with one tooth. Ganesha’s broken tusk is a very significant part of his iconography and there are multiple stories behind how he broke his tusk, all of which are as enthralling as they are varied. Here are some of the most popular legends behind Ganesha’s tusk, their sources ranging from the Mahabharata to the Brahmanda Purana. 

Ganesha, the Scribe
Illustration: Dilip Kadam

Perhaps the most well-known story about Ganesha’s tusk comes from the Mahabharata, with Ganesha acting as Vyasa’s scribe. It is believed that when Vyasa was composing the epic Mahabharata, he required a scribe who could write down the poem as fast as he could dictate it. Finding nobody that was capable of this task, Vyasa approached Ganesha and requested him to act as his scribe. Ganesha agreed, but on one condition: he demanded that Vyasa dictate the epic without any pauses. Vyasa, knowing that it would be hard to keep up with Ganesha’s speed, made a counter-condition that Ganesha must write only once he understood every word of what he was being told. Having agreed to Vyasa’s terms, Ganesha sat down to write the epic and as a marker of goodwill, broke off his tusk to use as a pen. Thus, the Mahabharata was composed with Vyasa dictating the long and complicated verses to Ganesha who had to slow down his writing speed to understand the words he was being told. In another version of this story, it is said that Ganesha started writing with an ordinary quill, which broke off in the middle of the dictation. Not wanting to stop to fetch a new quill, Ganesha simply broke off his tusk and continued writing with that instead. The tusk of Ganesha, hence, is significant in bringing to life one of the two most important epics to come out of India. 

Ganesha and the Moon
Illustration: Sundara Moorthy

According to one story, Ganesha’s broken tusk is the result of his conflict with the moon. According to the story, Ganesha was once invited to the abode of the moon for a feast. Ganesha, with his tremendous appetite, devoured the spread, especially indulging in his favourite modaks. After the meal was over, Ganesha left the moon’s palace on his vahaana, Mooshak. However, on the way, a snake appeared in their path startling Mooshak, who in his fright caused Ganesha to fall. As Ganesha fell down, his stomach burst open and all the modaks he had consumed tumbled out onto the ground. Ganesha then quickly collected the modaks and put them back into his stomach and tied the snake around his torso. Watching this from the sky, the moon burst into laughter. Angry at the moon’s laughter, Ganesha ripped off one of his tusks and flung it at the moon. He also cursed the moon to become invisible, to teach him a lesson in humility. As soon as the moon disappeared, the earth was plunged into total darkness. Worried about the moon’s disappearance, all the gods appealed to Ganesha to amend his curse. Ganesha softened his punishment and declared that the moon would wax and wane every fortnight, completely disappearing once a month. And thus, the moon waxes and wanes constantly, with its blemished surface still bearing the marks of Ganesha’s tusk. 

Parashurama’s wrath

In another popular legend, Ganesh’s tusk was broken off by Parashurama. According to this legend, Parashurama, the great devotee of Shiva, once visited Mount Kailash to seek Shiva’s blessing. However, Shiva was meditating at the time and had instructed Ganesha to turn away anyone that came to see him. Upon his father’s orders, Ganesha forbade Parashurama from entering Kailash, thus angering the sage greatly. In his rage, Parashurama threw his axe at Ganesha. Although Ganesha could have easily stopped the axe from harming him, he noticed that the axe was the same divine weapon that his father had gifted to Parashurama. Therefore, out of respect to Shiva and his divine axe, Ganesha refused to defend himself against the attack. The axe hit Ganesha’s tusk and broke it, thus making Ganesha ‘Ekadanta’. 

 

The Defeat of Gajamukha
Illustration: Ritoparna Hazra

The story of Gajamukha’s defeat at the hands of Ganesha is quite well known. It is said that the demon Gajamukha, attained great power through penance and then used his strength to harass the gods and sages. Upon finding themselves unable to defeat Gajamukha, the gods turned to Ganesha, who then vanquished Gajamukha. In many versions of this story, Ganesha broke off his own tusk to use as a weapon against Gajamukha. It is believed that Ganesha turned him into a mouse who became his vahaana Mooshak!

Read the stories of Ganesha in our special release Ekadanta. Now available on the ACK Comics App. 

Hanuman Humbles Narada

Illustration and Design: ACK Art Team

Narada was very proud of his devotion to Vishnu. Once, during a music recital in Vaikuntha, Narada presented one of his most impressive songs in praise of Vishnu. He was sure that Vishnu would declare him the best. To his surprise, Vishnu beckoned to Hanuman who was sitting at the back and asked him to sing. Narada was appalled. Vishnu was asking a monkey to sing! To top it, he even asked Narada to lend Hanuman his veena. Hanuman sang of Rama and as he sang he was lost in his love for him. When the song was over, Narada angrily went to retrieve his veena but to his surprise, it was stuck to the floor. He pulled and pulled but to no avail. Vishnu smiled and asked Hanuman to sing again. Hanuman did and Narada could lift up his veena. The floor itself had melted on hearing Hanuman’s devotion and the veena had got embedded in it. When Hanuman sang again, the floor melted once more and Narada could pick up his veena.

Ashamed of his arrogance, Narada asked Hanuman to forgive him which the large-hearted vanara did willingly.

Maitra

The word ‘Maitra’ has many references in the Puranic texts. Here are some of them.

  1. A muhurta, or auspicious time. In the Mahabharata, Krishna started his journey towards Hastinapura at Maitramuhurta
  2. Name of a tribe of demons. Sage Lomasha had once asked Yudhishthira to attack this tribe.
  3. Name of a constellation, or nakshatra. It was on the day of Maitra nakshatra that Kritavarma joined the Kaurava side of the army.

Gandaberunda

Illustration: Adarsh Achari

Gandaberunda, the two-headed bird of unimaginable strength, sits majestically as the official emblem of the Government of Karnataka. Before the Karnataka government adopted Gandaberunda, the mighty bird was the royal insignia of the Wodeyars, a dynasty that ruled the kingdom of Mysore from 1399 to 1947. Images of this mythical bird have been found carved on the walls of the Chennakeshava temple in Belur, and on coins belonging to the Vijayanagara empire. Gandaberunda is often depicted holding an elephant in each of its talons and is said to signify royalty and power.

According to the Puranas, when Vishnu descended to earth as Narasimha to destroy the evil king, Hiranyakashapu, the taste of his blood made Narasimha crave for some more. He lost sight of his true purpose and started to wreak havoc on earth, even the gods feared him. They turned to Shiva for help. Shiva took the form of Sharabha, a half-bird and half-lion being. Sharabha approached Narashima and tried to calm him under his wings but instead, Narasimha got furious. From his body emerged a celestial being even more powerful than Sharabha, Gandaberdunda. The two divine beings fought a fierce battle that lasted for eighteen days destroying everything in its wake.

At the end of the eighteenth day, Gandaberunda stopped to look around. It dawned upon him that their battle had caused enormous devastation. He spilt into two and Vishnu emerged from the centre of the fearsome beast. Shiva too resumed his form. The two returned to the heavenly abode and peace was restored.

In another version of the story, it was Sharabha, and not Gandaberunda who lost sight of his true mission and started destroying everything in his wake. Narasimha was then forced to take the form of Gandaberunda to curb the chaos Sharabha was causing.

Read the story of the majestic celestial creatures in our title Divine Beings. Now available on the ACK Comics App, Kindle, Amazon, Flipkart, and other major e-tailers. 

Ananta

By Sanjana Kapur and Aparna Kapur 

Illustration: Adarsh Achari and Ritoparna Hazra

Kashyapa, one of Brahma’s prajapatis, had two wives, Vinata and Kadru. Vinata gave birth to Garuda, and Kadru became the mother of all snakes or Nagas, including Takshaka, Vasuki and Ananta. One day, an argument broke out between Vinata and Kadru over the colour of Airavata’s tail. While Vinata insisted that Airavata’s tail was pure white, Kadru said that the tail had a few black hairs. (Another version says the argument took place regarding Uchhaisravas’ tail.) A wager was placed between Vinata and Kadru to determine the truth. The loser would become the slave of the other for the rest of her life.

Kadru did not want to lose. She went to her serpent sons and told them to suspend themselves from Airavata’s tail so it would look like the elephant had black hair. Ananta and a few others refused to be part of this dishonest act. Enraged at the disobedience of her sons, Kadru cursed them. She said that they would die in King Janmejeya’s snake sacrifice. Perturbed by his mother’s curse, Ananta sought help from Brahma. Brahma told him to go to the netherworld and support Mother Earth on his hood. Ananta readily agreed.

The mighty snake carries the entire world on his hood, maintaining its balance! Ananta is also known as Sheshnag. Vishnu is said to rest on his mighty coils.

Read the stories of celestial creatures of Indian mythology in our title Divine Beings, now available on the ACK Comics app, Kindle, Amazon, and other major e-tailers. 

The Legends Behind Lakes Rakshastal and Manasarovar

By Komal Narwani

Two of the most iconic sights of Manasarovar, Lake Rakshastal and Lake Manasarovar, have some mysterious legends associated with their origins. The two enigmatic water bodies of Mount Kailasha are always compared to each other because of their contrasting shapes and stories. 

Illustration: Narendra Pardhi
Lake Manasarovar 

Located at 4590m above mean sea level, Lake Manasarovar is a freshwater lake. It is believed to be created in the mind of Brahma first and then manifested on earth. Hence, the name Manasarovar, in Sanskrit, ‘Manasa’ means ‘mind’ and ‘sarovaram’ means ‘lake’. The lake is round-shaped and is considered to be a symbol of light or brightness. It is a personification of purity and the fortunate pilgrims who drink the water of this lake are believed to have been cleansed of their sins. 

Illustration: Souren Roy

The divinity of Lake Manasarovar is not bound to Hinduism. Many religions cite the holiness of this pristine lake in various virtuous texts and events. The Jain scriptures say that the first Tirthankara, Rishabha, attained nirvana here. The Buddhists equate this lake with lake Anavatapta, which in Sanskrit means ‘the unheated’. Anavatapta is believed to be the lake lying at the centre of the world, which also happens to be the place where Maya conceived Gautama Buddha, the enlightened one. The lake is regarded holy in the Bon religion too. Legends say that when Tonapa Shenrab, the founder of the Bon religion, visited Tibet for the first time, he took a bath in this holy lake. 

Five Buddhist monasteries adorn the shore of the holy Manasarovar. Those who have been smitten by the beauty of this lake describe the lake to be as serene as the meditative mind and as pristine as heaven’s snowy flake. The lake is also the birthplace of four great rivers – Karnali, Brahmaputra, Sindhu and Sutlej.

Lake Rakshastal 

Lying to the west of Lake Manasarovar is Lake Rakshastal, which in Sanskrit translates to ‘lake of the demon’ because Ravana once took a dip in this river. The Tibetans call it lake Lagngar Cho or Lhanag Tso, which means ‘the dark lake of poison’. They also refer to it as ‘the Ghost Lake’. Though the lake is pristine blue, it lacks vegetation and wildlife due to its high salt content. This saline lake has four islands – Dola, Lachato, Topserma, and Dosharba.

Illustration: Pulak Biswas

Legends say this is the place where the king of Lanka, Ravana, performed intense penance to please the god of destruction, Shiva. Alternatively, some stories say that the lake was created by the demon god. Upon one of the islands’ bank, Ravana made an offering by sacrificing one of his ten heads to Shiva every day. Pleased with his austerity, Shiva appeared before him on the tenth day to grant him a boon. 

Legend also has it that when Ravana was on his way to visit Shiva on Kailasha, he halted and took a dip in Lake Rakshastal. He proceeded further and spotted Parvati, near Gauri Kund, for the first time. He was smitten by her beauty and he lost his virtue. This is the reason people never take a dip in this lake. Gauri Kund is the place where Parvati created Ganesha from the saffron paste of her body. People do not take a dip in this water body either. Pilgrims believe that Parvati still visits this place every year for some solitude. Thus, her personal space is to be left untouched.

Just like the extreme sides of Shiva, meditative and destructive, his icy abode encompasses the round Lake Manasarovar, an embodiment of brightness and the crescent-shaped Lake Rakshastal, that symbolizes darkness. Each of them have unique traits and tales, which interests the visitors and enriches their experience of the mighty mountain.  

Vriddhakshatra’s Curse 

By Aditya Sen

The battle of Mahabharata is regarded as the greatest war. The strategies that were adopted to win the war changed the way they were fought forever. One of these indigenous battle strategies was the ‘Chakrayvuha’. This was a wheel-shaped labyrinth designed in such a complex way that only one with knowledge of the formation could break in and break out of it. On the thirteenth day of battle, Drona, as the commander, called for the formation of the Chakravyuha.

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The only ones with the knowledge of penetrating the formation were Krishna, Arjuna, Pradyumna and Abhimanyu. With Arjuna and Krishna away responding to a challenge to combat, and Pradyumna not participating in the war, Abhimanyu, Arjuna’s son, was the only one present in the Pandava camp who could enter the Chakravyuha. However, he only knew how to penetrate the formation and not how to find a way out. Having no choice, Yudhishthira promised Abhimanyu that the bravest Pandava warriors would follow his lead and break in with him, and would ensure his safe exit. 

Illustration: Dilip Kadam

Convinced, Abhimanyu entered the Chakravyuha and tried to lead the Pandavas through it. But that day, Jayadratha, the king of Sindhu, invoked a boon he had received from Lord Shiva. This boon gave him the power to oppose the Pandavas in warfare, thus he was able to hold them off from entering the Chakravyuha. Meanwhile, Abhimanyu was trapped inside the Chakravyuha and with no backup, he was killed after fighting the unfair attack from all sides.

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Arjuna was devastated when he learnt of his son’s death. He blamed Jayadratha for this and vowed that he would kill him before the next day’s sunset.  If he failed to do so, he vowed to give up his life by jumping into a burning pyre. However, when Jayadratha was born, a sage had approached his father, King Vriddhakshatra. The sage had predicted that Jayadratha would be killed in a great war. Saddened by hearing this, Vriddhakshatra uttered a curse saying,

“Whoever is responsible for my son’s head to touch the ground, will instantly be blown to pieces.”   

Illustration: Dilip Kadam

The next day, after learning Arjuna’s intentions, Dronacharya had three military formations in place to protect Jayadratha from Arjuna. But Bheema and Arjuna annihilated all three military formations. They seemed to be on a demonic rampage, driven completely by revenge. However, when dusk was nearing, the warriors stationed to protect Jaydratha had still not been defeated. To get Jaydratha exposed from their protection, Krishna used his yogic powers to create an illusion that the sun was about to set. Immediately, the Kauravas started to rejoice, knowing Arjuna’s oath. Just then, Jayadratha came out of hiding, and upon seeing him, Krishna dispelled the illusion. The sun rays again fell on the battlefield and Krishna pointed at Jayadratha. Rage took over Arjuna as he furiously readied his arrow, but Krishna advised Arjuna.

“Severe his head and make it land on his father’s lap.”

Arjuna nodded and took aim. He left an arrow that went whirling towards Jayadratha at lightning speed. 

Illustration: Dilip Kadam

Vriddhakshatra was meditating and offering his evening prayers in the woods nearby when suddenly his son’s head came shooting from the sky and fell on his lap. Unaware of this, when he got up after his prayers, the head fell from his lap and onto the ground. In that instant, Vriddhakshatra was blown to pieces, as he fell victim to his own curse.   

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