Dr V. Shanta (1927-2021)

By Komal Narwani

Illustration: Anvita Tekriwal

Dr Viswanathan Shanta was a blessing to thousands of cancer patients in India. She was a renowned oncologist who actively sought to make cancer treatment affordable to patients in India.

Born on March 11, 1927, Shanta hailed from an esteemed family. Two of the great Nobel laureates, C.V. Raman and S. Chandrasekar, were her grand-uncle and uncle respectively. She was extremely good at her academics. In the 1950s, when the popular choice for women in medicine was gynaecology, she chose oncology. Her parents were upset with her decision but it was a choice that proved a boon to the field. Years later, thousands of poor cancer patients found a new life because of her. 

Shanta joined The Cancer Institute (WIA) in Adyar, Madras, founded by Muthulakshmi Reddy, the first Indian woman legislator and one of the first women to study medicine in India. When Shanta joined the institute as an honorary staff member, it was a small hospital containing 12 beds and minimal equipment. Six decades and several hurdles later, the institute is now a state-of-the-art cancer care centre and research institute, thanks to the efforts of Shanta and the amazing team at the institute. Her selfless service got her promoted to various designations at the institute. She last served as the chairperson of Adyar Cancer Institute. When she moved into the campus on April 13, 1955, she had never imagined that the institute would be her home one day; a place where she would live for years and also breathe her last. 

Shanta, just like Muthulakshmi, strived to provide free, or at least subsidized, treatments to poor cancer patients at uncompromised medical facilities. She always stressed that early detection and cancer prevention would make the disease largely curable. She was a woman who revolutionised cancer care in the country and delivered India a lot of its firsts, including the first super speciality course in oncology, the first cancer registry, and the first mass cancer screening program. She got the government to sanction free bus and train travel for cancer patients and duty exemptions for cancer drugs. Despite all this and more, Shanta, even in her nineties, said that so much work is still to be done.  

Besides being associated with Adyar Cancer Institute, Dr Shanta was also a member of the Tamil Nadu State Planning Commission for Health and the World Health Organization’s Advisory Committee on Health, among many other national and international committees on health and medicine. For her unparalleled service and single-minded devotion to the cause, she was awarded numerous laurels including Padma Shri Award in 1986, Padma Bhushan in 2006 and Padma Vibhushan in 2016.

Challenging the deep-rooted beliefs, always dedicated to serving her patients, and following her passion forever, Dr V Shanta lived a heroic life. A life that impacted millions of lives and the advancement of the nation. 

Read the stories of the brave and revolutionary women of Indian history in our title Girls with Grit, now available on the ACK Comics App, Kindle, Amazon, Flipkart, and other major e-tailers. 

Mukta Salve

By Krithika Nair

Illustration: Narendra Pardhi

Mukta Salve belonged to the Mang community of Maharashtra, one of the many lower caste communities which were subjected to the cruel practice of untouchability. She became a student at Savitribai and Jyotiba Phule’s school, where women of all communities were taught to read and write. At the age of 14, she wrote a scathing essay titled ‘About the grief of Mangs and Mahars’ wherein she questioned the discriminatory nature of the caste system in the Hindu religion. Her essay delved into the horrors faced by the community and the subhuman conditions they led their lives in. The essay is considered to be the first work of literature by a Dalit woman. Although it is her only work to be recovered, Mukta Salve continues to be an important voice of inspiration among Dalits and women.

Read about more such pathbreaking women in our comic Valiant Women, now available on the ACK Comics app, Kindle, Flipkart, and other major e-tailers. 

Who was Krantidoot Azimullah Khan?

By Dheer Sanghi 

Azimullah Khan, also known as Krantidoot Azimullah Khan (Krantidoot meaning ‘Ambassador of Revolution’ in Hindi), lived a storied yet somewhat obscure life. Born on 17 September, 1830, Khan assisted in the Indian Rebellion of 1857. Being only a child during the famine of 1837-38, Azimullah Khan had to be rescued alongside his mother by British missionaries, going to their shelter in Kanpur. As he grew up, he learned both English and French, proving to be capable and clever.

After his education, he got a job as a secretary to British officers. This led to another job under Shrimant Nana Sahib Peshwa II, an aristocrat of the Maratha Empire, where Azimullah Khan not only worked as a secretary but an advisor as well. Nana Sahib, the adopted son of Peshwa Baji Rao II, had a disagreement with the British government regarding his late father’s pension; as although he inherited his father’s property and title, the government refused to give him the pensions that came with it. Hence, Nana Sahib chose Azimullah Khan to head a team that would travel to England and represent his case with the Board of Control.

Illustration: Sneha Balaji

In England, Azimullah Khan met a variety of interesting people – Lady Duff-Gordon being one of them. She took Khan under her wing, as well as guided him to the right people in England due to her husband being a civil servant. Even with all of Khan’s efforts, the trip was in vain as the government refused to resume Nana Sahib’s pensions. Historians believe that this left Khan dissatisfied and antagonized at the system and British rule in general, resulting in his action in the first war of Independence in later years. His belief that the British weren’t invincible grew on his way back from London. Stopping at Constantinople and witnessing firsthand the losses the British army took against the Russians spurred his motivation to gain freedom for his land.

When back, Azimullah Khan was still Nana Sahib’s trusted advisor and convinced the Peshwa of the dangers of British rule. Additionally, he brought back a French printing press from his trip, and disseminated literature that went against British colonisation.

Although Khan sowed the seeds of rebellion, he became a marginal figure due to a lack of personal wealth, title, supporters, or skill in combat. Hence why his story isn’t told often.

Though not well known, Khan is credited with making a deal with Major-General Sir Hugh Wheeler, offering him a safe passage for his family and colleagues due to the ongoing Indian mutiny, all the while knowing Nana Sahib was recruiting people to besiege them. This was instrumental to the massacre which resulted in all escaping British males being killed. In total, of the 900 fleeing Britons, only seven survived, Many believe this attack was revenge for the atrocities committed by British soldiers in quelling the Indian rebellion occurring at the time.

Azimullah managed to escape the wrath of the British in their retribution for these massacres, as they set fire to whole villages. The Krantidoot’s final days are uncertain, with historians unsure of specifics on how he died. Some say he died of smallpox when trying to escape from British officers, others say it was due to a fever, and one book says he was murdered in Constantinople after fleeing there.

Regardless of how he died, Azimullah Khan has an important place in history and is aptly known as the Ambassador of Revolution.

Dhungri Mela

The Dhungri Mela festival in Manali is held in honour of Hidimba, Bhima’s wife. The festival is named after the Dhungri forests where she is believed to have lived. The celebrations are held in the Hidimba Temple in Manali, where she is worshipped as a goddess. This temple was built in 1538 by Maharaja Bahadur of Rajasthan.

On the day of the festival, a huge carnival with a variety of food and amusement rides is organized. People from nearby villages bring their own idols of the goddess adorned in shimmering silks and silver face masks to parade around the temple.

The highlight of the Dhungri Mela festival is the folk dance of Kullu Natti. The dancers, dressed in the traditional attire of the region, link their arms and sway to the beats of a band while waving colourful handkerchiefs. All of this revelry is accompanied by the playing of large brass trumpets known as karnals.

The people invoke Goddess Hidimba’s blessings on them and also pray for the safety of the travellers who pass through the Dhungri forests.

Channapatna Toys of Karnataka

By Shivam Pathania

The small city of Channapatna is located at about a distance of 60 km from the city of Bengaluru. Channapatna, is known as ‘Gombegalauru’, which means toy town in Kannada. It is rightly so titled by the state of Karnataka as it is well known for its unique wooden lacquered toys around the globe. The Channapatna wooden toys trace their origin from the era of Tipu Sultan, the ruler of Mysore kingdom around 200 years ago. The ruler was immensely impressed with the craftsmanship of the Persian toymakers and invited the talented craftsmen to his kingdom to train the local artisans. The wooden handicraft is certified as a geographical indication (GI), by the World Trade Organization.

The toys are well known for their unique and colourful aesthetic. The craft utilises a lot of round shapes and forms that are symmetrical in nature. The traditional craft was originally carved out of Ivory wood locally called ‘Aale mara’ but over the years, craftsmen have substituted the raw material with other types of hardwood like rubberwood, sycamore, silver wood, red cedar, etc. After the procurement of the wood, it is usually seasoned for about two to three months. Once it is ready, it is sent for carving. The carving takes place on the lathe machine, which is used for creating objects that are symmetrical around an axis. The wood pieces are shaped in cylindrical forms before they are mounted on the machine. Then the machine is used to make them into spheres, hemispheres, cones and other round forms. The rotating wooden cylinder is given different shapes and forms using chisels and files. Once the required shape is achieved, it is rubbed with sandpaper for an even surface. While still rotating on the machine, the wooden toy is coloured using vegetable dyed lacquer sticks and is polished in the end using a palm leaf. The eye-catching colours of the toys are made from all-natural materials. The yellow dye is obtained from turmeric, blue dye from indigo powder, red and orange dyes from Kumkum, and brown dye from Katha or extracts from the acacia tree.  

Illustration: Sneha Balaji

Traditionally, the craftsmen used to make animal figurines, kitchen sets, playing tops and characters from religious and folktales. But with time, they have changed their perception of design. Modern demands require modern designs. The artisans have broken out of the conventional purpose of the craft and have expanded their domain into different fields. Channapatna artisans have transitioned from just creating traditional toys to also producing interior decoration items, articles for household utilities, aesthetic jewellery boxes, coaster sets, key chains, and huge catalogues of gift items tailored for different corporations. Apart from their traditional designs, the toys are also available in the form of Russian dolls, different vehicles, baby rattles and many traditional and modern game sets. Because of its flexible approach towards design and its ability to evolve with modern times, the homegrown craft has established demand in international markets like the US and the UK.

In a capitalistic world where most corporations prefer profit over the planet, Channapatna toys have established a more sustainable approach comparatively. The dyes that are used to add colour to the wooden toys are completely natural. Using natural dyes over synthetic dyes makes the toys non-toxic which is safe for children as well as the planet. Another important factor is related to waste generation. The wood shavings and the powdered wooden remains that are produced by the lathe machine during the carving of the toys are utilised by the incense industries. Thus, it makes the production of Channapatna toys a zero-waste industry.   

Even though the toys are exported to other countries, traditional toys face a lot of competition in the market. Children prefer western toys that have a more modern touch to them. The western toys also get exposure through visual mediums like television shows, which in turn increases the popularity of such toys among children. Another bias, that the Channaptna toys face, is related to it being more of a handicraft than a toy. Thus this decreases the chances for the toys to hit the shelves of the big toy stores and the toy vendors are forced to market their products through exhibitions or craft clusters, which are rarely a hotspot for their target audience. Having said that, these unique toys are here to stay and always find a place in the hearts of Indians. 

Different Celebrations of Vijayadashami

People across India celebrate Vijayadashami or Dussehra as a day of triumph and victory in many different ways. Each state adds its own flavour to the festival making it a riot of vibrance and colour.

Ramlila

Across North India, the festival is celebrated with the Ramlila, an open-air theatre performance depicting various incidents from Lord Rama’s life. The most dramatic part of this celebration is the setting of fire to the large effigies of Ravana to mark his defeat.

Sindoor Khela

The Bengali tradition of Sindoor Khela celebrates the fact that Durga is a married woman. After applying sindoor (vermillion) to the feet and forehead of the devi’s idol, married women playfully smear sindoor on each other’s faces.

Bommai Kolu

In various parts of South India, the household celebrations include showcasing dolls of gods, goddesses, humans and animals on an arrangement of an odd number of steps. In Tamil, this is called Bommai Kolu, which means Divine Presence. In Telugu, it is called Bommala Koluvu meaning Court of Toys and in Kannada, Bombe Habba means Doll Festival.

Garba

In Gujarat, a dance form known as Garba is performed during Navratri, where dancers move in circles, making circular movements with their hands and feet. This dance form worships the Goddess Durga.

Bastar Dussehra

Bastar Dussehra is celebrated in Chhattisgarh with great pomp for a whole of 75 days. Here, the festival is celebrated in honour of Goddess Danteshwari and has a focus on nature.

The Many Benefits Of Tamarind

The sweet and tangy fruit, in our country, has many uses apart from tickling our taste buds. Here are some of the wonderful benefits of tamarind!

Tamarind uses
Illustration: Ritika Dureja

Famous Quotes #13

He may have made many a dent with his fists, but what has left a greater impact are his words. Here is a quote from the ‘greatest’– Muhammad Ali

Illustration: ACK Art Team

Nag Panchami

In certain parts of North India, such as Varanasi, traditional akharas i.e. venues for wrestling, are cleaned thoroughly and decorated on the occasion of Nag Panchami. In Hindu mythology, snakes often symbolise virility and it is this aspect of the snake that the wrestlers worship on this day.

Note: The catching and using of snakes are banned under the Wildlife Protection Act 1972. Citizens must offer prayers to snake idols or images.

Famous Quotes #12

Here is a beautiful quote from Shashi Deshpande’s ‘In the Country of Deceit’ that makes one pause and think.

Illustration: Aakanksha Patil